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The Arnolfini Wedding Portrait – Jack Van Eyck (1434). The oranges on the windowsill and table suggests innocence before Adam and Eve’s fall from grace aswell as the couple’s wealth. There are some arguments to say the oranges could infact be apples. If this is the case, they would represent the temptation of knowledge and the Fall.
L’Ultima Cena (The Last Supper) – Leonardo da Vinci (1494-1498). There are discussions questioning if infact this last supper was a Passover meal. The only way it could be determined is to decide if the bread is leavened or unleavened. The bread would symbolise jesus’ body and the goblets/glasses would contain wine which would symbolise his blood; ‘Now as they were eating, Jesus took bread, and blessed, and broke it, and gave it to the disciples and said, “take,eat; this is my body’ And he took the cup, and when he had given thanks he gave it to them, saying ‘ drink of it, all of you, for this is my blood of the covenant”
The Travelling Companions – Augustus Egg (1862) The ladies, be they twins, companions or the same woman have different items in their baskets. The flowers here could be a symbol for virginity and sexual virtue where as the fruit in the other basket could refer to Eve’s temptation and fallen virtue.
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Still life with quince, cabbage, melon and cucumber – Juan Sanchaez Cotan (1602- 1603) From the spanish Baroque period this is a simple yet striking painting. There are discussions as to wether this was just an exercise in painting or if it has religious connotations; should it be understood as a celebration of God’s most humble creations? It is said that Cotan gave up his worldly possessions to become a monk not long after he painted this.
Still Life with Fruit and Ham – Jan Davidszoon de Heem (1648 -1649) During the Dutch Baroque era, paintings like this with an incredible amount of detail and sensuality were used to demonstrate wealth.
Un Coin de Table – Paul Cezanne (1895) Cezanne is a well known impressionist painter. “Critics often found the distortions of perspective in his paintings willful and incompetent, but they are often explicable in optical terms. The refusal to correct these distortions indicates Cezanne’s aim of remaining true to perceptual experience”
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Summer – Guiseppe Archimbaldo (1563) Paints mosaic images of fruit and vegetable portraits. Innovative, fresh and fun with Surrealists drawing inspiration from his work. It has been suggested that his paintings are either the product of a deranged mind or a pointed critique of the academic and wealth culture in Italy.
Campbell’s Soup Can – Andy Warhol (1964) This piece by the American Pop Artist, became his signature piece and inspired him to experiment with the visual effect of serial imagery.
Skinned Rabbit – Antonio Lopez Garcia (1972) The subject of the painting is depicted in an almost photorealistic way but it still retains a sense of mystery.
(top)Bread Village – Carl Warner He creates ‘foodscapes’ using fruit, vegetables and bread. Each creation is sketched out, then pins and super glue are used to hold the creations together.
(Bottom left) Untitled – Christel Assante (-n/a-) These sculptures use eggshells as their canvas and almost resemble lacework due to how intricate the designs are.
(bottom right) Mother and Child frie nach Damien Hirst – Karsten Wegener (2013) – a playful take on works of art by other artists